The Viking Progress
At Rye Bar in Athens on Wednesday, The Viking Progress played their first official show. Night Driving in Small Towns opened for them.
I’ve written about The Viking Progress as a heads-up to the show a few weeks back. I think I centered more on the solo talent of Patrick Morales. Wednesday night was a three-piece affair.
The group is comprised of acoustic guitar as a rhythm lead, electric as a back-up ambience accompaniement and a snare+crash percussion (with shakers of sorts of course). A banjo will often replace the accoustic, and a trumpet made a surprise appearence to intro one of the songs.
The Viking Progress is folk. Calm and quite, but full all the same. It is not a singer-songwriter solo act; though, Patrick opened the set with a few songs just he and his guirat. The rhythmic accoustic and the back up electric and the soft steady running of the percussion create a warm sound where the lyrcis are lead. Each word is as important as the notes in a guitarists solo.
And to top it all off, they actually have enough songs to play a [real] full set. Not 25-30-35 minutes. But you get at least 50 minutes out of them. 50 minutes of music you want to pay for.